Daughters Review: A Tender, Devastating Dance Weekend for Girls and Their Jailed Dads

Angela Patton‘s documentary, Daughters, is a heart-wrenching exploration of a unique dance weekend where young girls get to spend quality time with their incarcerated fathers. The film, set in the US, highlights the emotional journeys of these young girls as they prepare for a special dance with their dads who are serving time behind bars.

A Dance to Remember

The documentary opens with a series of interviews with the young girls, who share their feelings about their fathers’ absence and their anticipation for the upcoming dance. Their stories are raw and poignant, reflecting the pain and longing they feel for their dads. As the girls prepare for the big day, they reveal their hopes and fears, creating an emotional connection with the audience.

The Dance Workshop

The film then shifts its focus to the dance workshop where the girls learn choreographed routines under the guidance of experienced instructors. The workshop serves as a safe space for the girls to express their feelings and bond with one another. Through their shared experiences, they form a sense of camaraderie that transcends their individual struggles.

The Day of the Dance

The climax of the film is the day of the dance, where the girls are reunited with their fathers for a few hours. The reunion is filled with tears, laughter, and a sense of joy that is palpable. The dance itself is a beautiful display of love and connection between the girls and their dads, showcasing the strength of their bond despite the physical distance between them.

Conclusion

Daughters is a powerful and moving documentary that sheds light on the often overlooked issue of children with incarcerated parents. Angela Patton‘s direction is sensitive and thoughtful, allowing the girls’ stories to take center stage. The film serves as a testament to the resilience of these young girls and their ability to find strength in the face of adversity.

For more information on the documentary, visit The Guardian’s article.